This is awesome: I got interviewed by the renowned Dutch Leica photographer Joeri van der Kloet. Joeri is a friend of me too, so that’s a double whammy eh? No featured photograph this time….just check out the interview 😉
You find yourself in a strange dynamic being a Leica shooter. One day you are being envied and seen as a snob who has spend too much money on a camera that lacks so many features other camera’s have, the other day you are being praised for your pictures you take with it. We live in an era in which the camera itself is a statement and fashion item too, beside being just a tool for creating art of capturing moments. For some people, owning a particular camera seems to be more important than actually shooting with it. I’d guess that’s all right too…whatever floats your boat. Instagram is flooded with ‘eye candy’; just pictures of Leica’s, but also other brands, instead of pictures taken with the camera. Being a substantial financial investment (hence the second hand option I took), it attracts both haters and lovers of the brand and for different reasons. I try not to identify too much with the gear I use, but having said that…..I actually do. I do but more in the sense that this type of camera make me feel they are my soul mates. Not to state something pompously, but the less is more approach of the Leica brand really resonates with me. They really are an extension of my eyes, heart and soul. Stripping the camera of all of the non-essentials enables me to focus (not pun intended) on the key points of my photography: seeing and capturing. I recently saw two Youtube video’s, in which both the M8 and M9 are being praised, despite being ‘old’ and ‘lacking’ or expensive. It prompted me to write this comment:
Hi Mattias, thanks for the effort you have put in this video and the one the M8. It strongly resonates with how I feel using my M8 and M9 (both second hand bought). In this age of ‘low light madness’ and the need for having a camera that does it all (including video), it is refreshing to hear somebody talk about these two camera’s and their specific qualities. What I like the most about using these kind of camera’s, besides obvious things like the IQ, handling, manual focusing and build quality, is ‘the less is more’ approach of Leica. The very reason I still shoot analog besides digital. This makes it not a camera for every one, but if it is it…..it surely becomes a soul mate of you and technical specs will soon be irrelevant :-). You can check out my pictures at http://vincentvankleef.wixsite.com/lightonlight . Cheers, Vincent
Till next time, thanks for reading this post. 🙂
Nature surpasses all concepts of greatness. The wonderful thing is that you can be awed by it in so many ways. As I live in Amsterdam now, all the places that are not occupied by concrete or cars are safe havens for the mind. I took this picture in the Westerpark, a park along a busy road. You can sense the different state of mind of people when they are surrounded by nature, even if it’s a park.
This will not be the last post in which I praise the Leica M8 I’m afraid. There is something about the files that keeps me grabbing the now 10 year old M8. I recently read an article by Thorsten Overgaard where he confesses a return to his M9, letting the ‘better’ Typ M240 collecting dust. There is something about the CCD sensor that sets the M8 and M9 apart to all other camera’s, in my opinion that’s to say.There has been enough written about this (and fiercely discussed), so I won’t go into this any further :-). Having said that, one of the qualities the M8 is praised for, is its black and white conversion, which this picture is a fine example of (see my pictures here and more to follow in future posts). I shot this picture after visiting the Starbucks at the Rembrand Plein, Amsterdam. I noticed the man directing the traffic and took the shot at a high ISO (eeeek!). Although the bright yellow light he was holding in his hand did me grab my camera, in post production a black and white conversion yielded the best results.
Shot from the hip as they say. I can’t get enough of watching children exploring the world. As my daughter is growing up to be a wonderful adult, I keep being fascinated by small children. Besides the symmetry in the composition, I like the way the child moves its arms while walking down the path. The sheer wonder of a young human being exploring all that’s new, is a never-ending inspiration for me to keep grounded and have that beginners mind.
Together Alone is a song by Dutch singer Anouk. A song in which she sings about her betraying her man. Heavy stuff alright and a strong title for describing the lack of fulfilling she apparently felt at that time. This title crossed my mind when I saw this man sitting on the park bench all on his own….except for the dove that seemingly is not intimidated by the man. The web is flooded with street photography showing people sitting on benches, I know, but the fact that the man sits on the very end of the bench en the dove just minding his own business I found quite funny. I hope you too. When showing my girlfriend this picture, she mentioned the white bird on the right, turning it’s back to the two. I like it when a photograph reveals these kind of details. Shot with my dear M8 paired with the lovely Zeiss ZM Biogon 28mm.
After visiting Berlin in 2011 with my daughter, I recently revisited the city of Berlin with my girlfriend. I had decided to take the M8 with me, paired with the Zeiss ZM Biogon 28mm. Foremost for the very reason of wanting to get out of my comfort zone and to spark creative ideas. Shooting with the M8 and the Zeiss meant an other shooting approach for that the M8 performs different at higher ISO. Furthermore, the Zeiss has a maximum aperture of F2,8 instead of F2,0 of the Summicron (which I have traded in). As this is a lovely combo, the results have been great but it also meant that I needed to be a bit inventive to make a shot like this. Shot at ISO 320, manually set on 1/15 and F2,8, I managed to take this picture of the Brandenburger Tor. Handheld, but I had to lean against a post. I have used this technique here too.
They say that meeting your hero can be a disappointment , but it surely was not the case when I recently met Joe Satriani. As expressed already in this post, this guitarist means a lot to me. This time I had decided to opt for the ‘VIP package’ which includes meeting Joe….Although the security of the site was quite nervous and we had to line up for Joe, his assistant and Joe himself were very relaxed and easy-going. I practice the insights from Buddhism in which concepts as ego and equanimity are very prominent but surely that went all overboard! After shaking hands and thanking Joe for his music, art and the place his music takes in my heart, I asked Joe to sign my M9, just as Corbijn has signed my M8, which he happily did. The concert was awesome and as you can see, Joe played 1-2 feet away from me. After the encore he give me a big smile, pointed at me and made a ‘thank you’ gesture. To my big surprise, he decided to place this other picture on his site. Not as a photograph but as ‘art’.This picture is actually the result of the M9 not handling the burst of light of the stage lights. I was shooting at a fixed shutter speed and wide open which resulted in a totally over blown picture. I liked the results however and decided to send the picture to his webmaster. As the title of his latest album is ‘Shockwave Supernova’ the response of Joe was: Vincent van Kleef sent us this “shocking” photo he snagged while at the Heerlen show a couple of weeks ago. Joe shreds his way into a Supernova!!
Still going strong, my beloved Leica M8. Presented to the world in 2006, it is considered ancient by now but this camera still manages to amaze me with the pictures it produces and the way it fits my hand as well as my style of photography. Signed by Anton Corbijn, bruised, battered and full of quirks. Hated by those who seek low light performance but loved by the ones who appreciate the look of the Kodak sensor and how to use the camera. It is funny how emotional connected you can get to an object as it has gone through the same experiences as you. It has seen the same things that triggered me to grab my camera and take that shot. That’s the beauty of photography too.