We all have the innate ability to be still and not be part of the whirlwind that is generated by all of our obligations, worries, needs, desires and fears. As long as we can take refuge to a place in which we can be still. Like this boy. In the midst of a busy street during nationwide festivities, he decided to drift off. In the comfort of knowing that with mummy everything is just fine, he simply let go.
How wonderful is that?
What is your favourite ice-cream taste? ‘Chocolatecakeicecream!’ Don’t you just love the enthusiasm of kids? 😀
Expressing your love for someone in a way that gives full meaning to what you actually feel on a soul level other than with your touch, is impossible.As I expressed in this post, be able to connect to your soul and someone else’s, enables you to experience life beyond the perceptions made by your mind’s ego.I follow guided soul meditations for some time now for that very reason, but recently got the insight that my love for children is the way my soul is expressing itself at its strongest.Every day I get moved by something I see in a child.The sheer innocence and the playful nature of a child really moves me.This can be a child of a stranger, a child of a loved one and of course my very own daughter.This picture I took from my daughter just a few days ago, is a picture she does not like that very much…but I do.I resonates strongly with what she means to me.One of my favourite guitarists Harry Sacksioni has the gift to transcend the love for his daughter into a truly moving piece of music.As he explains (in Dutch), before playing the song in this video, he composed the music when his daughter Jessa was barely out of the womb. Amazingly but actually not surprisingly, the character of the song totally matches the character of his daughter.
I recently visited an exposition by Anri Sala in the GEM museum in The Hague. Sala is an Albian artist who has won the Vincent Award (named after Van Gogh and not me obviously….). His work of art contains video art combined with different performances of the Clash’s Should I stay or should I go and a drumkit that drums on its own. It did not particular got my attention, but this scene did. Although its was pitch dark, knowing my camera inside out I quickly grabbed it, set the aperture on the F2,0 and the shutter speed on 1/15 combined with a ISO of 320. By leaning against a wall and having a fairly steady grip, I managed to take this picture. I am quite content with it as it represents the atmosphere of the room perfectly.
Shooting with an old medium format film camera enables you to take pictures of children without being creepy. With a Yashica Mat 124 G, you have to look at the top instead of the back of the camera. Truly a whole other experience and very Zen-like. I caught these boys in one of the parks in Rome, totally emerged in their play with a smartphone.