To begin anew is to look deeply and honestly at ourselves—our past actions, speech, and thoughts—and to create a fresh beginning within ourselves and in our relationships with others.-Thich Nhat Hanh
Expressing your love for someone in a way that gives full meaning to what you actually feel on a soul level other than with your touch, is impossible.As I expressed in this post, be able to connect to your soul and someone else’s, enables you to experience life beyond the perceptions made by your mind’s ego.I follow guided soul meditations for some time now for that very reason, but recently got the insight that my love for children is the way my soul is expressing itself at its strongest.Every day I get moved by something I see in a child.The sheer innocence and the playful nature of a child really moves me.This can be a child of a stranger, a child of a loved one and of course my very own daughter.This picture I took from my daughter just a few days ago, is a picture she does not like that very much…but I do.I resonates strongly with what she means to me.One of my favourite guitarists Harry Sacksioni has the gift to transcend the love for his daughter into a truly moving piece of music.As he explains (in Dutch), before playing the song in this video, he composed the music when his daughter Jessa was barely out of the womb. Amazingly but actually not surprisingly, the character of the song totally matches the character of his daughter.
Great street photography makes ordinary things look extraordinary. It is the beauty of the small things that often are overlooked in every day life. It is there for everyone to see but only the photographer is able to catch the moment and create art. I live nearby the Rijksmuseum in Amsterdam, so visiting this great museum is something I regularly do. As the museum was packed with tourists the last time I paid the museum a visit, I decided to put my focus on the many visitors instead of the displayed art. Due to the fact that it was so crowded and everybody was taking pictures with their smartphones themselves, I was free to take some pictures of the visitors, something you actually hardly can do anymore these days because everybody is so hyper sensitive for having a picture taken without their strict permission. Looking through the crowd, I saw the three figures on the paintings looking at the three persons sitting in front of it and quickly took a picture. If this is an example of great street photography is for others to decide, but it made me chuckle nevertheless 🙂
The picture you are looking at, is one of an old Mercedes Benz Estate (a W123-T to be precise). It is being used as a daily driver by one of my neighbours in Amsterdam and was parked just around the corner when it caught my eye. Battered and used, with quite a lot ‘patina’ (well, dents and rust to be honest), but revealing a beauty many vintage cars can have. Bathing in the evening light, certain details just caught my attention. Like this detail, shot wide open with the Summilux lens…smooth as silk.
You find yourself in a strange dynamic being a Leica shooter. One day you are being envied and seen as a snob who has spend too much money on a camera that lacks so many features other camera’s have, the other day you are being praised for your pictures you take with it. We live in an era in which the camera itself is a statement and fashion item too, beside being just a tool for creating art of capturing moments. For some people, owning a particular camera seems to be more important than actually shooting with it. I’d guess that’s all right too…whatever floats your boat. Instagram is flooded with ‘eye candy’; just pictures of Leica’s, but also other brands, instead of pictures taken with the camera. Being a substantial financial investment (hence the second hand option I took), it attracts both haters and lovers of the brand and for different reasons. I try not to identify too much with the gear I use, but having said that…..I actually do. I do but more in the sense that this type of camera make me feel they are my soul mates. Not to state something pompously, but the less is more approach of the Leica brand really resonates with me. They really are an extension of my eyes, heart and soul. Stripping the camera of all of the non-essentials enables me to focus (not pun intended) on the key points of my photography: seeing and capturing. I recently saw two Youtube video’s, in which both the M8 and M9 are being praised, despite being ‘old’ and ‘lacking’ or expensive. It prompted me to write this comment:
Hi Mattias, thanks for the effort you have put in this video and the one the M8. It strongly resonates with how I feel using my M8 and M9 (both second hand bought). In this age of ‘low light madness’ and the need for having a camera that does it all (including video), it is refreshing to hear somebody talk about these two camera’s and their specific qualities. What I like the most about using these kind of camera’s, besides obvious things like the IQ, handling, manual focusing and build quality, is ‘the less is more’ approach of Leica. The very reason I still shoot analog besides digital. This makes it not a camera for every one, but if it is it…..it surely becomes a soul mate of you and technical specs will soon be irrelevant :-). You can check out my pictures at http://vincentvankleef.wixsite.com/lightonlight . Cheers, Vincent
Till next time, thanks for reading this post. 🙂
Surrender. That’s the first word that comes to mind when I look at this picture. What I’ve learned throughout the years, is that letting go of the need for making pictures results in the most valuable pictures. So, to surrender to the moment and space you are in, means you tap into your subconscious mind and great opportunities appear in front of you. That surely is the case with photography. This time I was taking a stroll through my Amsterdam neighbourhood, feeling a bit out of sync. As I was sitting on a bench staring at the water, I noticed the pattern in the water and decided to make a picture through the fence between the bench and the water. Post processing it in monochrome did the trick. Not an unique picture at all, but I like the ink-like look of the water and the diagonal line within the framing.
As expressed in former posts like this one, I love children, actually I adore them. The cuteness of a baby, the wit of a toddler or the rebellious teenager….each fase in the development of a child is fascinating and worth photographing. So when we visited two friends who recently had a newborn, I made sure to take my camera with me. This little boy was sleeping most of the time, which he should be doing at just two weeks of age, and while my girlfriend was chatting away with the parents, I grabbed the M9 paired with the Summilux. Shot wide open and in monochrome, this combination perfectly shows us the little wonder of each new born baby. Sleeping and being cared of (and cuddled of course). Dream on little boy, dream on.
This is a picture a took quite a while ago. I decided to combine two things that I like to do very much; riding my bike and taking pictures. It is my Ducati at the beach you are looking at. The picture is taken with my very first camera, the Minolta X-700. A sweet little camera and a perfect combination of Japanese engineering and design. I have the intention to shoot more analog this year, but the X-700 shall have to compete with the Olympus OM2-n, the Trip 35 and the Yashica Mat 124G (along with my two digital Leica’s)…..
I am fortunate to live just a couple of minutes away of the famous Van Gogh Museum. For a lot of tourists, this museum is a must-see when visiting Amsterdam. For a good reason; both the collection as the building are impressive. The only downside of this museum is that it is packed with visitors all-of-the-time.
I like strolling through the city at night and took this picture from outside the Van Gogh Museum. Although in monochrome, it resonates well with one of Van Gogh’s famous quotes:
I often think that the night is more alive and more richly colored than the day.
-Vincent Van Gogh
I love the Rotterdam Central Station. As I was walking back from the Kunsthal where I had met the famous photographer Peter Lindbergh and had Anton Corbijn sitting right behind me, I saw this segment of the station bathing in the evening light. I had the image pictured in my mind instantly. I made sure to use the f8 aperture in order to have the best performance of the Summilux lens (not that this lens really needed this).This picture has gained quite some praise on my Instagram account, I hope you like it too.